A Twisted Affair

Twisted Christmas, Barbican Hall, 11 December
Jarvis Cocker was the headliner at the Barbican’s alternative yuletide celebration but unfortunately for the audience the former Pulp frontman wasn’t the highlight. After two and a half hours of a bewildering mix of music, comedy and shadow puppetry – some of which worked, some of which didn’t - Jarvis sloped on stage to perform two brief and forgettable songs. Luckily, there were other revelations to enjoy.

Illinois-based singer-songwriter Daniel Knox was one of them. His deep melancholic vocals called to mind cold winter nights in front of the fire and were perfect for his heart-warming rendition of the classic, Have Yourself a Merry Little Christmas. Blues-folk duo The Smoke Fairies were ubiquitous on stage, and proved to be even better on their own than when performing back up for others. Patrick Wolf, a piano playing ex-chorister turned art-rocker, was sensational while unbilled songstress Camille O’Sullivan was reminiscent of a pre-tabloid era Amy Winehouse.

As well as the eclectic there was also the eccentric. Canadian singer Mary Margaret O’Hara and American Sandy Dillon provided much needed light relief, though it wasn’t entirely clear whether this was intentional.

What was intentional, however, was the wry comedy of Radio 4 presenter Jeremy Hardy, who ably steered proceedings from one fragmented act to another. But the night belonged to the shadow puppetry and accompanist Matthew Robbins who together earned plaudits in an otherwise borderline show.

Mother Ghana

mother ghana, originally uploaded by ^ mAyAkA ^.

this is my ghana; the ghana where women build the nation balancing work, motherhood and responsibility with feminine grace. the ghana where the infinite inner strength of its women reigns with the peace and tranquillity of their confidence of success. the ghana that carries all her burdens and never gives up, but just keeps looking ahead.

Drum magazine Ghana 1969 collage covers

Drum magazine Ghana 1969 collage covers, originally uploaded by amaah.

Seun Kuti and Egypt 80 live at Cargo

I'd been looking forward to seeing Seun Kuti live with such anticipation that the show was in danger of being a massive anticlimax. Luckily for me, Seun and his father's original Egypt 80 had tuned in to my expectancy and delivered a storming performance that left all in awe.

Playing at Cargo in Shoreditch, the former warehouse was the perfect venue for Seun's highly politicised Afrobeat, a blend of high-life, jazz and traditional African rhythms. Reminiscent of his father Fela, Seun emerged from the shadows of his legacy to put his stamp mark on the scene despite performing much of Fela's most famous back catalogue. In fact, the highlight of the night was the title track from Kuti's new album Many Things, a bold, original anthem that puts the world to rights.

Having played at the Barbican earlier in the year to a sell out crowd, Cargo was an intimate setting for the ten man band - the hot, sweaty atmosphere was thick with the sound of the solid brass section with rythmically pulsating bodies jamming shoulder to shoulder to the beat. It was standing room only and those who couldn't dance were forced along by the push of the crowd.

After a somewhat brief hour and a half set we were left eagerly wanting more but the pre and post show DJ set was the perfect antidote. All in all, a near perfect night that will go down as one of the shows of the year.

Seun Kuti and Egypt 80 performed at Cargo in East London on Monday, 15th December.

Clive Rowe: Nothing Like A Dame

Clive Rowe is the consummate pantomime dame. Oh yes he is! Described by The Guardian as "one of the greatest ", the Lancashire-born thesp has become a Hackney institution. In the seven years he's been playing here, Rowe has cultivated a loyal local following who turn out in force each Christmas to see him camp up his dramatic chops. Last year it was in Duke Whittington; this year Rowe stars as the lead in the Empire’s production of Mother Goose. It’s the tenth anniversary celebration of panto at the Empire and is a comic caper of epic proportions. Written by Susie McKenna, who’s been responsible for a number of the Empire’s Christmas hits, the show incorporates high-jinks and high drama to charming effect with Rowe the shining star in a stellar cast. He explains: “Mother Goose is about what happens if somebody is given what they believe they want, what happens to them when they get it and how they deal with it. It is what it says on the tin, a family panto.”

Rowe is an accomplished actor whose dedication to panto has brought credibility to the genre. He’s appeared in some of theatre’s best loved productions, including Carousel and Guys and Dolls, for which he won a coveted Olivier Award. “To have your peers that are people that you respect, who are above you and have been doing it for longer than you look at you and say, “we think what you’ve done is amazing”, is an amazing accolade”, he says.

It’s not just the theatrical establishment who've taken Rowe to their hearts - Hackney has too. I suggest it must be his Northern charm. “Init!” he jokes in a sketchy east London accent. “One of the things I’ve always felt about theatre, but is even more true with the Hackney Empire, is the show starts the minute you walk through the front door, not the minute you sit down in the auditorium and the lights go on. The minute you’re received here you’re part of the panto and everybody is working towards a fantastic night”.

Rowe has appeared in television, film and on radio but says he feels comfortable on the Hackney stage. Panto for him is as much a craft as any other kind of acting. “There’s a difficult balance to get where you’re keeping everything panto level because you’re playing to the five year olds but real. The trick is finding that core of it where you may be upset about something but you’re not doing Greek tragedy, you’re not doing Chekov, it’s panto”.

And Rowe loves it. “My thing is I have a great time. I spend all year being told what I can’t do on stage and I get five weeks to do what I want to do. The fact is I’m having a good time.” And so are we.

Mother Goose is on at the Hackney Empire until 10 January 2009.

Brian McKnight, Dave Scott... and more!

Robert Glasper: Live at Cargo

Doo-rags, hoodies and baseball caps aren’t the usual attire of jazz aficionados but Robert Glasper’s crowd is as notable for its youth as its urban fashion sense. He, himself, is dressed like one of his tribe – oversized T-shirt, baggy jeans and obligatory glass of liquor in hand. “Don’t let this jazz thing fool you,” he jokes mid-gig as he threatens to break in to a rap after seizing the mic from guest MC, Kashmere. And it wouldn’t have been out of place if he had. For Glasper, it seems hip hop is as intrinsic to his being as his first love, jazz. The fact that his show is taking place in a smoke-filled nightclub rather than a venerable jazz venue is testament to his street cred. His warm-up act isn’t some young pretender polishing his bebop chops but a DJ whose vinyl cases are crammed with Soul and Old Skool Hip-Hop. It could so easily be a cliché if Glasper wasn’t the real deal.

Website: www.myspace.com/therealrobertglasper

Getting Personal with Eric Benet

Last night I had the pleasure of speaking with none other than soulful R&B crooner Mr Eric Benet! Eric's been out of the recording studio, but not out of the spotlight, for four years and has come back strong with a new album, Love and Life, and a number 1 single, You're The Only One. I have to admit, I didn't know what to expect from a man who's been through such a high-profile and messy public situation but Eric was nothing but open, honest, personable and charming, and definitely one of the nicest people I've interviewed all year! Look out for my revealing conversation with Eric Benet in the December issue of Clutch magazine, online on 1st December, or sign up at http://www.sylviaarthur.co.uk/ to receive updates. In the meantime, go out and cop Love and Life and visit http://www.ericbenet.net/ to hear snippets from the new album.

The John Akii-Bua Story, An African Tragedy

At the Munich Olympics of 1972, Ugandan John Akii Bua powered round the inside lane in the 400m hurdles, past English favourite and reigning Olympic Champion David Hemery, to win the gold medal, 10m clear of the field. The clock showed 47.82, an astonishing new world record.

Akii Bua was the first African to win gold in an event under 800 metres. He was also the first man to break the 48 seconds barrier in the 400 metre hurdles, an event so gruelling its nickname is 'The Mankiller'. But, while David Hemery retired to respectable fame and fortune, Akii Bua returned to a Uganda carving the name of its military 'President', Idi Amin, into genocidal notoriety.

After the glory of 1972, John never found prosperity in his country, beautiful but blighted by the Amin slaughter, tribal rivalries and poverty. Akii Bua's tribe, the Langi, were the primary victims of Amin's slaughter, and John's national popularity could only protect him for so long. In 1979, Akii Bua fled for his life to Kenya. In the trauma, his wife gave birth prematurely, and the baby died. The couple did not even have the money to bury him.

Shortly afterwards, Akii Bua presented his former coach, Englishman Malcolm Arnold, with 12 foolscap notebooks. Arnold, astonished, found they contained Akii Bua's life story, written in longhand, in pencil, in English, his third language.

In 1983, with Amin ousted, Akii Bua returned to Uganda, his achievements and place in history seemingly forgotten. This is a film about the pinnacle of athletic achievement - and the search to discover what followed. The John Akii Bua Story is the story of one man, and of Africa itself; its glory, potential and tragedy.

The John Akii-Bua Story, An African Tragedy, was shown on BBC2 on Sunday, August 10, at 10pm
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Catching Up With the King of Shoes, Jimmy Choo

Hackney can claim many famous fashion alumni but none are as synonymous with style as shoemaker to the stars Jimmy Choo. A-listers from the worlds of film, music and the arts all flock to Choo’s swanky Central London boutique to get their mitts on his unique handmade shoes for everything from glitzy parties to glittering premieres. But when Jimmy Choo arrived in London in the 1980’s he couldn’t have known how important a role the bustling creative Hackney would play in his life. The borough gave the Malaysian his start in the fashion world, which would see him go from a struggling student to a multimillionaire.

As an apprentice at the prestigious Cordwainers’ Fashion Technical College, Choo perfected his craft as a shoemaker, his family trade, while working part-time at restaurants and as a cleaner at a shoe factory to help fund his education. “During the eighties I was in London for a holiday and a friend of mine told me there’s a special shoe college in Hackney called Cordwainers’”, Choo recalls. “Although I had training from my father, it’s always good to have an education and I didn’t have a certificate. So I enrolled in the college to learn more and get more advanced.”

At the time, as is today, Hackney was a hub of offbeat creative talent. The artistic energy that buzzed through the borough’s streets inspired Jimmy to stay local and in 1986, after leaving Cordwainers’, he opened his first workshop, renting an old hospital building. “Hackney was a fantastic place, very peaceful and very relaxed in those days,” Choo says, nostalgically. “All types of designers and artists were in Hackney, and a lot of music stars as well. There was also a lot of factories and manufacturing, especially shoe manufacturing. It was a great place.”

Jimmy’s craftsmanship and designs were soon noticed by those in the know in the industry and it didn’t take long before Jimmy Choo shoes became the must-have brand for serious fashionistas. Patronage from celebrities and royalty, including Diana, Princess of Wales, led Jimmy to become an international fashion icon and in 1998 his success was crowned when he scored an incredible coup when his creations were featured in a record eight pages of Vogue magazine. In 2000 Jimmy was awarded the Malaysian equivalent of a Queen’s honour for his achievements and two years later he received an OBE from the Queen herself in recognition of his services to the shoe and fashion industry in the UK.

But even though he’s mingled with the world’s top names and continues to ply his stylish trade Jimmy’s love and respect for his Hackney roots remains as strong as ever. “Hackney is a multicultural place. You have the Chinese, people from Jamaica, Ireland, Holland, all sorts of people who love to be in Hackney. I get my inspiration from that because it’s very important that I love what I’m doing and I mix with people and get an idea of how they dress. It’s fantastic. Hackney is a special place.”

1968 Olympics: The divided legacy of black power

Forty years ago Tommie Smith and John Carlos risked everything to stand together and deliver the salute that shook the world. So why are they no longer on speaking terms?
Guy Adams reports
The Independent

Black Power Salute, BBC Four, 9pm

A New Era / Changing of the Old Guard

About time too!
(See also...)

Still Black, Still Proud: An African Tribute to James Brown

The Barbican was the setting for a thrilling night of funk and frolics as legendary saxophonist Pee Wee Ellis led an all-star tribute to his long time collaborator, James Brown, at Still Black, Still Proud: An African Tribute to James Brown.

Proving that good music never dies, celebrated musicians including Senegalese guitarist Cheikh Lo, Afrobeat pioneer Tony Allen and Vieux Farka Toure joined trombonist Fred Wesley and others to salute the Godfather of Soul. And what a night it was!

Interspersing traditional African music with Brown’s extensive back catalogue, the band - accompanied by singer Fred Ross, vocalist and dancer Wunmi and UK rapper Ty - put in a pulsating performance that had the audience dancing in the aisles, bringing the house down with interpretations of classics like I Got You (I Feel Good) and Say It Loud: I’m Black and Proud. But it was Cheikh Lo’s (above) hauntingly beautiful rendition of It’s A Man’s World that was the highlight, combining awesome musicianship with Brown’s signature showmanship. South African songstress Simphiwe Dana’s bluesy homage was also a revelation.

With each band member a star in their own right, Still Black, Still Proud was an awe-inspiring evening that’s testament not only to Brown’s indisputable legacy but also to the rich vein of African musical talent. It may be nearly two years since he passed away but the spirit of James Brown truly lived on in this wonderfully captivating show.

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Still Black, Still Proud took place on Saturday, 14th June as part of the Barbican's Groove Nations Season.

Not Digging the Beat: John McWhorter

BY SYLVIA ARTHUR

Say what you like about John McWhorter, the controversial conservative thinker notorious for his provocative views on race, but he’s nothing if not articulate.

In his new book All About the Beat, McWhorter dismisses the popularly held belief that hip-hop is the savior of black America, doing for African-Americans today what the civil rights movement did in the Sixties. Taking particular issue with conscious rappers who, he says, chronicle the community’s problems without offering solutions, McWhorter insists that the answers to this generation’s troubles lie in political activism not lyrical vandalism against the powers-that-be.

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Destiny's Child: Solange Comes of Age

BY SYLVIA ARTHUR

Life could be so easy for Solange Knowles, the little sibling with the big family name. As Beyoncé’s kid sister and Matthew and Tina’s baby girl the burden of expectation on this young woman’s shoulders would be enough to bury even the broadest of frames. But there’s so much more to this multi-talent than meets the eye.

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