Twisted Christmas, Barbican Hall, 11 December
Jarvis Cocker was the headliner at the Barbican’s alternative yuletide celebration but unfortunately for the audience the former Pulp frontman wasn’t the highlight. After two and a half hours of a bewildering mix of music, comedy and shadow puppetry – some of which worked, some of which didn’t - Jarvis sloped on stage to perform two brief and forgettable songs. Luckily, there were other revelations to enjoy.
Illinois-based singer-songwriter Daniel Knox was one of them. His deep melancholic vocals called to mind cold winter nights in front of the fire and were perfect for his heart-warming rendition of the classic, Have Yourself a Merry Little Christmas. Blues-folk duo The Smoke Fairies were ubiquitous on stage, and proved to be even better on their own than when performing back up for others. Patrick Wolf, a piano playing ex-chorister turned art-rocker, was sensational while unbilled songstress Camille O’Sullivan was reminiscent of a pre-tabloid era Amy Winehouse.
As well as the eclectic there was also the eccentric. Canadian singer Mary Margaret O’Hara and American Sandy Dillon provided much needed light relief, though it wasn’t entirely clear whether this was intentional.
What was intentional, however, was the wry comedy of Radio 4 presenter Jeremy Hardy, who ably steered proceedings from one fragmented act to another. But the night belonged to the shadow puppetry and accompanist Matthew Robbins who together earned plaudits in an otherwise borderline show.
Wednesday, December 31, 2008
Friday, December 26, 2008
Mother Ghana
this is my ghana; the ghana where women build the nation balancing work, motherhood and responsibility with feminine grace. the ghana where the infinite inner strength of its women reigns with the peace and tranquillity of their confidence of success. the ghana that carries all her burdens and never gives up, but just keeps looking ahead.
Wednesday, December 17, 2008
Seun Kuti and Egypt 80 live at Cargo
I'd been looking forward to seeing Seun Kuti live with such anticipation that the show was in danger of being a massive anticlimax. Luckily for me, Seun and his father's original Egypt 80 had tuned in to my expectancy and delivered a storming performance that left all in awe.
Playing at Cargo in Shoreditch, the former warehouse was the perfect venue for Seun's highly politicised Afrobeat, a blend of high-life, jazz and traditional African rhythms. Reminiscent of his father Fela, Seun emerged from the shadows of his legacy to put his stamp mark on the scene despite performing much of Fela's most famous back catalogue. In fact, the highlight of the night was the title track from Kuti's new album Many Things, a bold, original anthem that puts the world to rights.
Having played at the Barbican earlier in the year to a sell out crowd, Cargo was an intimate setting for the ten man band - the hot, sweaty atmosphere was thick with the sound of the solid brass section with rythmically pulsating bodies jamming shoulder to shoulder to the beat. It was standing room only and those who couldn't dance were forced along by the push of the crowd.
After a somewhat brief hour and a half set we were left eagerly wanting more but the pre and post show DJ set was the perfect antidote. All in all, a near perfect night that will go down as one of the shows of the year.
Seun Kuti and Egypt 80 performed at Cargo in East London on Monday, 15th December.
Playing at Cargo in Shoreditch, the former warehouse was the perfect venue for Seun's highly politicised Afrobeat, a blend of high-life, jazz and traditional African rhythms. Reminiscent of his father Fela, Seun emerged from the shadows of his legacy to put his stamp mark on the scene despite performing much of Fela's most famous back catalogue. In fact, the highlight of the night was the title track from Kuti's new album Many Things, a bold, original anthem that puts the world to rights.
Having played at the Barbican earlier in the year to a sell out crowd, Cargo was an intimate setting for the ten man band - the hot, sweaty atmosphere was thick with the sound of the solid brass section with rythmically pulsating bodies jamming shoulder to shoulder to the beat. It was standing room only and those who couldn't dance were forced along by the push of the crowd.
After a somewhat brief hour and a half set we were left eagerly wanting more but the pre and post show DJ set was the perfect antidote. All in all, a near perfect night that will go down as one of the shows of the year.
Seun Kuti and Egypt 80 performed at Cargo in East London on Monday, 15th December.
Monday, December 15, 2008
Clive Rowe: Nothing Like A Dame
Clive Rowe is the consummate pantomime dame. Oh yes he is! Described by The Guardian as "one of the greatest ", the Lancashire-born thesp has become a Hackney institution. In the seven years he's been playing here, Rowe has cultivated a loyal local following who turn out in force each Christmas to see him camp up his dramatic chops. Last year it was in Duke Whittington; this year Rowe stars as the lead in the Empire’s production of Mother Goose. It’s the tenth anniversary celebration of panto at the Empire and is a comic caper of epic proportions. Written by Susie McKenna, who’s been responsible for a number of the Empire’s Christmas hits, the show incorporates high-jinks and high drama to charming effect with Rowe the shining star in a stellar cast. He explains: “Mother Goose is about what happens if somebody is given what they believe they want, what happens to them when they get it and how they deal with it. It is what it says on the tin, a family panto.”
Rowe is an accomplished actor whose dedication to panto has brought credibility to the genre. He’s appeared in some of theatre’s best loved productions, including Carousel and Guys and Dolls, for which he won a coveted Olivier Award. “To have your peers that are people that you respect, who are above you and have been doing it for longer than you look at you and say, “we think what you’ve done is amazing”, is an amazing accolade”, he says.
It’s not just the theatrical establishment who've taken Rowe to their hearts - Hackney has too. I suggest it must be his Northern charm. “Init!” he jokes in a sketchy east London accent. “One of the things I’ve always felt about theatre, but is even more true with the Hackney Empire, is the show starts the minute you walk through the front door, not the minute you sit down in the auditorium and the lights go on. The minute you’re received here you’re part of the panto and everybody is working towards a fantastic night”.
Rowe has appeared in television, film and on radio but says he feels comfortable on the Hackney stage. Panto for him is as much a craft as any other kind of acting. “There’s a difficult balance to get where you’re keeping everything panto level because you’re playing to the five year olds but real. The trick is finding that core of it where you may be upset about something but you’re not doing Greek tragedy, you’re not doing Chekov, it’s panto”.
And Rowe loves it. “My thing is I have a great time. I spend all year being told what I can’t do on stage and I get five weeks to do what I want to do. The fact is I’m having a good time.” And so are we.
Mother Goose is on at the Hackney Empire until 10 January 2009.
Rowe is an accomplished actor whose dedication to panto has brought credibility to the genre. He’s appeared in some of theatre’s best loved productions, including Carousel and Guys and Dolls, for which he won a coveted Olivier Award. “To have your peers that are people that you respect, who are above you and have been doing it for longer than you look at you and say, “we think what you’ve done is amazing”, is an amazing accolade”, he says.
It’s not just the theatrical establishment who've taken Rowe to their hearts - Hackney has too. I suggest it must be his Northern charm. “Init!” he jokes in a sketchy east London accent. “One of the things I’ve always felt about theatre, but is even more true with the Hackney Empire, is the show starts the minute you walk through the front door, not the minute you sit down in the auditorium and the lights go on. The minute you’re received here you’re part of the panto and everybody is working towards a fantastic night”.
Rowe has appeared in television, film and on radio but says he feels comfortable on the Hackney stage. Panto for him is as much a craft as any other kind of acting. “There’s a difficult balance to get where you’re keeping everything panto level because you’re playing to the five year olds but real. The trick is finding that core of it where you may be upset about something but you’re not doing Greek tragedy, you’re not doing Chekov, it’s panto”.
And Rowe loves it. “My thing is I have a great time. I spend all year being told what I can’t do on stage and I get five weeks to do what I want to do. The fact is I’m having a good time.” And so are we.
Mother Goose is on at the Hackney Empire until 10 January 2009.
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